Mapping live music urban ecologies – beyond physical infrastructure

Abstract

This chapter examines the role of non-musical actors in shaping live music urban ecologies, using Birmingham, UK, as a case study. While existing research often focuses on musicians, venues, and promoters, less attention has been paid to policy-makers, industry associations, and other stakeholders who influence the cultural infrastructure. The central research question is: Which organisations and actors advance or hinder the live music and cultural industry in urban ecologies, and how can they be classified? To address this, the chapter combines theoretical insights from popular music studies and political science with empirical data collected through the Birmingham Live Music Mapping Project (2019–2023). Methods included stakeholder analysis, participatory observation, surveys, interviews, and mapping exercises, supported by a snowball sampling approach and policy review. The significance of this research lies in expanding the concept of music ecosystems beyond physical spaces and musical actors. By highlighting the diversity and interdependence of stakeholders, the chapter contributes to a more comprehensive understanding of urban music ecologies and informs policy-making aimed at fostering resilient and inclusive cultural environments.