Technologies of Age: The Intersection of Feminist Film Theory and Aging Studies

Abstract

Aging studies is a relatively new discipline, and its intersection with feminist film theory can lead to fundamental methodological and theoretical rethinking, in particular, the notion of cinema as a powerful technology of age. This essay provides an account of the ageism that permeates Western societies vis-à-vis the place of aging and gender in visual culture. In light of contemporary feminist conceptualizations of aging and aging narratives, this essay aims to propose possible new directions that cinema and feminist film theory can take as part of a new epistemological framework. It also explores new theoretical paradigms from an intersectional perspective aimed at deconstructing ageism in the film industry. Finally, by focusing on female aging narratives in several non-mainstream film productions, this essay advocates moving away from the binary approach of aging as either decline or success, and it suggests new, affirmative ways of looking at aging bodies, and of understanding old age.

Publication DOI: https://doi.org/10.5209/infe.66086
Divisions: College of Business and Social Sciences > School of Social Sciences & Humanities > Centre for Critical Inquiry into Society and Culture (CCISC)
College of Business and Social Sciences > School of Social Sciences & Humanities > Centre for Language Research at Aston (CLaRA)
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College of Business and Social Sciences > School of Social Sciences & Humanities > English Languages and Applied Linguistics
Additional Information: © 2020 The Authors. CC BY
Uncontrolled Keywords: cinema,age,Ageism,Feminism,Arts and Humanities(all),Visual Arts and Performing Arts
Full Text Link:
Related URLs: https://revista ... icle/view/66086 (Publisher URL)
PURE Output Type: Article
Published Date: 2020-07-15
Accepted Date: 2020-03-26
Authors: Medina, Raquel (ORCID Profile 0000-0001-7824-3115)
Zecchi, Barbara

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License: Creative Commons Attribution

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