Rozbicka, Patrycja and Conroy, Michael (2017). Live music and Brexit’s cliffhanger. Music Business Journal, 13 (1), pp. 8-11.
Abstract
The question of a fallout from Brexit on the music industry is hunting a number of analysts. The trend in mushrooming publications (see for example: Billboard and Pitchfork portals)2 and media coverage (with the Guardian and Politico.eu taking lead) confirms existing interest in the topic. Most of the analysts draw a distinction between the immediate-short term effect of the “leave” result stemming from the referendum and the long-term consequences of evoking the art. 50 and the UK leaving the European Union (EU). Contrary to the general focus on the music sector and leaving aside the short-term consequences, the below entry focuses on possible scenarios resulting from upcoming Brexit negotiations for a specific sub-sector of economy: the live music industry. We first bring about numbers and indicators underlying the importance of the sub-sector for the UK and Europe’s economies (briefly alluding also to its cultural value). Later, while bringing to the front the discussion of current arrangements for Norway, Switzerland, US and Canada, we suggest two possible scenarios. The conclusions are rather gloom and clearly indicate negative effects for involved stakeholders.
Divisions: | College of Business and Social Sciences > School of Social Sciences & Humanities College of Business and Social Sciences > School of Social Sciences & Humanities > Politics, History and International Relations College of Business and Social Sciences > School of Social Sciences & Humanities > Aston Centre for Europe Aston University (General) |
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Last Modified: | 29 Oct 2024 13:41 |
Date Deposited: | 29 Mar 2017 13:10 | PURE Output Type: | Article |
Published Date: | 2017-05-01 |
Accepted Date: | 2017-03-14 |
Authors: |
Rozbicka, Patrycja
(
0000-0003-0092-955X)
Conroy, Michael |